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Ballet Luminary Matthew Ball on Demanding Parts and Online Scrutiny: 'I Don't Feel Protective About My Body'

Within the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His carriage is effortlessly straight-backed, his arms defined beneath a plain white T-shirt. On stage, ballet dancers can seem as powerful gods, yet often offstage they are small. This is not true for Ball, whose height is part of his demand for heroic roles and pas de deux work. Possessing delicate features and intense eyes, there's a touch of Robert Pattinson about him.

An Apparent Ascent to the Pinnacle

At 31, Ball is experiencing the crest of a career that has progressed seamlessly. Growing up in Liverpool, he encountered little ridicule for his early interest in ballet. Entering the Royal Ballet School at 11, he graduated directly into the troupe and was advanced annually, reaching the top rank of lead dancer in 2018. He has relished tackling substantial dramatic roles, especially the emotional angst found in Kenneth MacMillan's ballets.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

Ball's next featured appearance is as himself, in an "Evening With" series aiming to offer intimate insights into a performer's craft. He will walk the crowd through a role, demonstrating his mental workflow during execution. Even in more comedic works, the challenge is significant. "Don Quixote is one of the most demanding technically," he notes.

The Mental Struggle and Post-Performance Feelings

What about after a show, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to squeeze all the juice out of it, and get lost in the role, quite often I do feel self-conscious later. Following an intense role I'm always like: Wow, what must people think?"

Offstage, Ball is thoughtful, polite, and prone to laugh at himself. Yet a choreographer previously remarked on a "sense of suffering in him." Is there? "I am very active usually, but I do have a melancholy streak," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for good change."

Early Drivers and Creative Influences

His determination originated in early setbacks. Not excelling in competitions at school made him "vengeful!" It was motivation to demonstrate he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit obsessive," he remembers.

An upcoming endeavor is making his own choreography. For Ball, "there's nothing wrong with." "Breaking the rules is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing ideas from literature, music, and art.

Close-Up Dance and Private Dynamic

He additionally is interested in presenting dance in smaller spaces. "It was just really thrilling," he says of a past show. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has created pieces with his partner, fellow principal Mayara Magri. The level of faith between them is clear. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." The couple are not typically matched on stage at their main theater, which might be beneficial. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s favorite supporter."

Regarding Instagram and Bodily Image

On social media, followers can see clips from his projects and images that showcase a sculpted form. Does he mind that the response can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to seeing Michelangelo’s David—something that can be seen on multiple ways.

Ball characterizes his early self as "desperate for success." Did it met his hopes? "I am conscious of how life is a separate thing to the dreams you made as a child," he reflects. He likely has another ten years of dancing left. "I guess in the future, I want to be a bit more gentle with myself."

The writer

Brandon Huffman

A seasoned gaming analyst with over a decade of experience in online casinos, specializing in slot mechanics and player strategies.

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